ANNA National Theatre 2019 Playtext
by Ella Hickson
1968. East Berlin.
Anna and Hans are married, in love and moving up in the world – but it is a world ruled by suspicion. Who can be trusted when everyone is listening? Can we ever escape our past?Â
Written by playwright Ella Hickson, and co-created with sound designers Ben and Max Ringham, ANNA unfolds with all the tension of a spy thriller, and the inexorable revelations of an Ibsen play.Â
ANNA premiered at the National Theatre, London, in May 2019, directed by Natalie Abrahami, with the audience wearing individual headsets to direct their attention amongst the overlapping scenes on stage. This uniquely formatted edition of the script features all of the play's dialogue, including the scenes seen but not heard in performance.
by Ella Hickson
1968. East Berlin.
Anna and Hans are married, in love and moving up in the world – but it is a world ruled by suspicion. Who can be trusted when everyone is listening? Can we ever escape our past?Â
Written by playwright Ella Hickson, and co-created with sound designers Ben and Max Ringham, ANNA unfolds with all the tension of a spy thriller, and the inexorable revelations of an Ibsen play.Â
ANNA premiered at the National Theatre, London, in May 2019, directed by Natalie Abrahami, with the audience wearing individual headsets to direct their attention amongst the overlapping scenes on stage. This uniquely formatted edition of the script features all of the play's dialogue, including the scenes seen but not heard in performance.
Original: $15.97
-65%$15.97
$5.59Description
by Ella Hickson
1968. East Berlin.
Anna and Hans are married, in love and moving up in the world – but it is a world ruled by suspicion. Who can be trusted when everyone is listening? Can we ever escape our past?Â
Written by playwright Ella Hickson, and co-created with sound designers Ben and Max Ringham, ANNA unfolds with all the tension of a spy thriller, and the inexorable revelations of an Ibsen play.Â
ANNA premiered at the National Theatre, London, in May 2019, directed by Natalie Abrahami, with the audience wearing individual headsets to direct their attention amongst the overlapping scenes on stage. This uniquely formatted edition of the script features all of the play's dialogue, including the scenes seen but not heard in performance.
