
Shakespeare and Queer Theory
by Melissa E. Sanchez
Shakespeare and Queer TheoryĀ is an indispensable guide on the ongoing critical debates about queer method both within and beyond Shakespeare and early modern studies.
Clearly elucidating the central ideas of the theory, the fieldās historical emergence from feminist and gay and lesbian studies within the academy, and political activism related to the AIDS crisis beyond it, it also illuminates current debates about historicism and embodiment.
Through a series of original readings of texts includingĀ Othello,Ā The Merchant of Venice, andĀ Venus and Adonis, as well as film adaptations of early modern drama including Derek JarmanāsĀ The TempestĀ andĀ Edward II, Gus Van SantāsĀ My Own Private Idaho, Baz Luhrmann'sĀ Romeo and Juliet, and Julie Taymor'sĀ Titus, it illustrates the value of queer theory to Shakespeare scholarship, and the value of Shakespearean texts to queer theory.
by Melissa E. Sanchez
Shakespeare and Queer TheoryĀ is an indispensable guide on the ongoing critical debates about queer method both within and beyond Shakespeare and early modern studies.
Clearly elucidating the central ideas of the theory, the fieldās historical emergence from feminist and gay and lesbian studies within the academy, and political activism related to the AIDS crisis beyond it, it also illuminates current debates about historicism and embodiment.
Through a series of original readings of texts includingĀ Othello,Ā The Merchant of Venice, andĀ Venus and Adonis, as well as film adaptations of early modern drama including Derek JarmanāsĀ The TempestĀ andĀ Edward II, Gus Van SantāsĀ My Own Private Idaho, Baz Luhrmann'sĀ Romeo and Juliet, and Julie Taymor'sĀ Titus, it illustrates the value of queer theory to Shakespeare scholarship, and the value of Shakespearean texts to queer theory.
Description
by Melissa E. Sanchez
Shakespeare and Queer TheoryĀ is an indispensable guide on the ongoing critical debates about queer method both within and beyond Shakespeare and early modern studies.
Clearly elucidating the central ideas of the theory, the fieldās historical emergence from feminist and gay and lesbian studies within the academy, and political activism related to the AIDS crisis beyond it, it also illuminates current debates about historicism and embodiment.
Through a series of original readings of texts includingĀ Othello,Ā The Merchant of Venice, andĀ Venus and Adonis, as well as film adaptations of early modern drama including Derek JarmanāsĀ The TempestĀ andĀ Edward II, Gus Van SantāsĀ My Own Private Idaho, Baz Luhrmann'sĀ Romeo and Juliet, and Julie Taymor'sĀ Titus, it illustrates the value of queer theory to Shakespeare scholarship, and the value of Shakespearean texts to queer theory.












